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Special Edition- 2
VOL-1
Abhinavdhara – IJIIS
Explore the Special Edition-2 of Abhinavdhara (IJIIS) featuring peer-reviewed research articles on Indic Studies, Sanskrit, Indian Philosophy, and Culture.
SRIJANSHODH 2026
International conference on Indian Knowledge Systems, Art, Design, Wellness, and Cultural Heritage
Organised by
Shabdārambh:
Global Academy of Art,Culture, Languages & Wellness Date: 29th & 30th August 2026 (virtual mode)
Traditional Art and Craft as Knowledge Systems in Contemporary Indian Visual Art: Continuity and Innovation
Ashish Kumar Maurya
Research Scholar (PhD)
Department of Painting
Faculty of Visual Arts, Banaras Hindu University, Varanasi
Abstract
Traditional art and craft represent living knowledge systems that preserve cultural memory, indigenous wisdom, technical skills, and community values across generations. In the contemporary era, marked by globalisation, technological advancement, and cultural exchange, these traditions are increasingly recognised not merely as heritage practices but as dynamic sources of creative knowledge that continue to shape contemporary Indian visual art. This paper examines how traditional art and craft function as knowledge systems that influence contemporary artistic practices through the reinterpretation of indigenous techniques, materials, symbols, and cultural narratives. Adopting a qualitative and interpretive approach, the study examines selected examples from contemporary Indian visual arts to explore how traditional knowledge is reimagined in present-day artistic practices.
The study argues that traditional knowledge extends beyond manual craftsmanship to include ecological consciousness, sustainable material practices, social relationships, ritual significance, and embodied forms of learning. Contemporary visual artists engage with these knowledge systems by integrating vernacular aesthetics, local materials, and craft-based methodologies into interdisciplinary and experimental practices. Such interactions create new visual languages while preserving cultural continuity and responding to present-day social, environmental, and cultural concerns.
The paper also examines the role of museums, educational institutions, and digital platforms in preserving and promoting traditional knowledge. It concludes that traditional art and craft continue to inspire innovation in contemporary Indian visual arts while strengthening cultural identity and inspiring innovation in contemporary artistic practice.
Keywords: Traditional Art and Craft, Contemporary Indian Visual Art, Knowledge Systems, Cultural Identity, Indigenous Knowledge.
Page No- 156-167
https://doi.org/10.67754/ijiis.special.edi 2.vol01.0010
Abstract
Traditional art and craft represent living knowledge systems that preserve cultural memory, indigenous wisdom, technical skills, and community values across generations. In the contemporary era, marked by globalisation, technological advancement, and cultural exchange, these traditions are increasingly recognised not merely as heritage practices but as dynamic sources of creative knowledge that continue to shape contemporary Indian visual art. This paper examines how traditional art and craft function as knowledge systems that influence contemporary artistic practices through the reinterpretation of indigenous techniques, materials, symbols, and cultural narratives. Adopting a qualitative and interpretive approach, the study examines selected examples from contemporary Indian visual arts to explore how traditional knowledge is reimagined in present-day artistic practices.
The study argues that traditional knowledge extends beyond manual craftsmanship to include ecological consciousness, sustainable material practices, social relationships, ritual significance, and embodied forms of learning. Contemporary visual artists engage with these knowledge systems by integrating vernacular aesthetics, local materials, and craft-based methodologies into interdisciplinary and experimental practices. Such interactions create new visual languages while preserving cultural continuity and responding to present-day social, environmental, and cultural concerns.
The paper also examines the role of museums, educational institutions, and digital platforms in preserving and promoting traditional knowledge. It concludes that traditional art and craft continue to inspire innovation in contemporary Indian visual arts while strengthening cultural identity and inspiring innovation in contemporary artistic practice.

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