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Special Edition- 2
VOL-1
Abhinavdhara – IJIIS
Explore the Special Edition-2 of Abhinavdhara (IJIIS) featuring peer-reviewed research articles on Indic Studies, Sanskrit, Indian Philosophy, and Culture.
SRIJANSHODH 2026
International conference on Indian Knowledge Systems, Art, Design, Wellness, and Cultural Heritage
Organised by
Shabdārambh:
Global Academy of Art,Culture, Languages & Wellness Date: 29th & 30th August 2026 (virtual mode)
Rethinking Imported Prestige to The Rise of Indian Craft Luxury: Understanding Consumer Perceptions of Handmade Indian Textile
Siddhi Hitesh Tamore
Student of M. Design - Design Education, Sem 2, Mumbai
Sir J.J. School of Art, Design, Architecture,
Dr. Jagdish khaire,
Faculty Dean, Mumbai - Sir J.J. School of Design, Mumbai, Maharashtra
ABSTRACT
Indian handlooms and handicrafts carry a long history of skilled craftsmanship and cultural identity. Yet within India itself domestic consumers often undervalue these handmade goods, treating imported brands as the true markers of status and luxury. This study a examines the gap and argues that Indian handcrafted textiles already prized in international market carry the authenticity, craftsmanship, and cultural depth needed to compete directly with global luxury brands. Using a mixed-methods approach based on secondary data, consumer surveys, and artisan interviews. The paper argues that current and future design professionals play a crucial role in elevating these crafts. By using social media and other digital platforms to share the stories, skills, and effort behind these products, the next generation of designers can help reposition Indian handlooms as genuine contemporary luxury items, closing the gap between local perception and global success.
Keywords: Indian Handicraft, Textile, Consumer Perceptions, Emerging Designer, Craftsmanship
Page No- 205-211
ABSTRACT
Indian handlooms and handicrafts carry a long history of skilled craftsmanship and cultural identity. Yet within India itself domestic consumers often undervalue these handmade goods, treating imported brands as the true markers of status and luxury. This study a examines the gap and argues that Indian handcrafted textiles already prized in international market carry the authenticity, craftsmanship, and cultural depth needed to compete directly with global luxury brands. Using a mixed-methods approach based on secondary data, consumer surveys, and artisan interviews. The paper argues that current and future design professionals play a crucial role in elevating these crafts. By using social media and other digital platforms to share the stories, skills, and effort behind these products, the next generation of designers can help reposition Indian handlooms as genuine contemporary luxury items, closing the gap between local perception and global success.

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